Save The Brattle!

The Brattle Theatre in Boston may be going out of business. It's the oldest continually running art theatre in the country, it started running repertory films in 1953. Almost a decade ago, I saw The Seven Samurai there along with Mr. Arkadin, an almost impossible to find Orson Welles film. They're being run out of business by the increasing cost of repertory prints, decreasing attendance and competition from Landmark's nearby Kendall Square Cinema. Though it doesn't really show rep films anymore, Landmark draws the same audience that would go to see old movies. The Brattle's run by the non-profit Brattle Film Foundation and has been soliciting donations for the last month or so. Here is the story in the Boston Globe about it. And here is the Brattle's website where you can make a donation.

Dyslexic Heart

Saw Elizabethtown the other day. Basically, if you're a Cameron Crowe fan, then you'll like the movie. It's got some big flaws, but I managed to totally ignore them. It's sappy and cheesy but there's something about Crowe: the cheese never bothers me because he seems so honest about it. There's never a hint that you're being manipulated in a Cameron Crowe movie. He just makes pleasant romantic movies that make you want to ignore their flaws and watch them over and over again. In fact, I bought the Almost Famous DVD yesterday and watched it twice.

Elizabethtown has basically the same plot as all his other movies (except Say Anything): a guy who's a failure in business is redeemed by a cute, quirky woman. Orlando Bloom is mediocre in the lead role, he certainly is no John Cusak or Tom Cruise or even Campbell Scott, but he is an improvement on Patrick Fugit in Almost Famous, who really annoys me at times. Kirsten Dunst isn't quite as cute as Penelope Cruz in Vanilla Sky, but she's not bad at all.

Cameron Crowe Films:

6. Vanilla Sky
5. Jerry Maguire
4. Elizabethtown
3. Say Anything. . .
2. Almost Famous
1. Singles

Movies Of The Year: 1990

The 90s start off with arguably the two best movies of the decade surrounded by a lot of mediocre. A whole army of sequels, most of them awful. If not for those two top movies, this would be a truly terrible year.

57. Nuns On The Run
56. Look Who's Talking Too
55. Bird On A Wire
54. 3 Men And A Little Lady
53. Men At Work
52. Quigley Down Under
51. Air America
50. Kindergarten Cop
49. Teenage Mutant Ninja Turtles
48. Internal Affairs
47. Another 48 Hrs
46. RoboCop 2
45. Days Of Thunder
44. Arachnophobia
43. Flatliners
42. Lord Of The Flies
41. My Blue Heaven
40. Die Hard 2: Die Harder
39. Gremlins 2: The New Batch
38. Green Card
37. Narrow Margin
36. Ghost
35. Home Alone
34. Back To The Future Part III
33. Young Guns II
32. Darkman
31. Tremors
30. Predator 2
29. Henry & June
28. The Russia House
27. Cry-Baby
26. Pretty Woman
25. Misery
24. The Grifters
23. Alice
22. The Freshman
21. La Femme Nikita
20. Awakenings
19. Europa Europa
18. Postcards From The Edge
17. I Love You To Death
16. Quick Change

15. Pump Up The Volume - I imagine it really isn't very good, but I've gotta admit I loved this movie in junior high. Christian Slater plays the pirate radio DJ sticking it to the man who wants to shut him down for corrupting the youth. Samantha Mathis plays the girl who wants to corrupt him. Great fun.

14. Presumed Innocent - Very good, if basic, courtroom murder mystery film. Doesn't really do anything interesting with the genre, it's notable mostly for it's excellent execution and the great cast. Harrison Ford stars along with Brian Denehy, Greta Scacchi, Bonnie Bedelia, and Paul Winfield. Raul Julia steals the movie though, I'm not sure why, I thik it's his voice. Apparently both John Spencer and Bradley Whitfield appear, but I don't remember them. Jeffery Wright either. Directed by Alan j. Pakula, weho did Klute, All the President's Men, Sophie's Choice, he Parallax View and, ugh, the Pelican Brief.

13. Dick Tracy - A lot of people don't like this movie, apparently. But I've always loved the look of it above everything else. The characters don't really interest me that much, though Al Pacino is pretty good as the villain. It's the bright yellows reds and blues and stylish camera work that I dig about it. A weird cast too: Warren Beatty, Madonna, Pacino, Glenne Headly, Dustin Hoffman, Kathy Bates, Dick Van Dyke, Mandy Patinkin, Paul Sorvino, Seymour Cassel, Charles Fleischer, Colm Meany, Charles Durning and Catherine O'Hara. Charlie Korsmo, whoi plays The Kid, also starred in Whgat About Bob?, Hook and Can't Hardly Wait and according to IMDB, is currently "Deputy Domestic Policy Analyst for the House Republican Policy Committee of the U.S. House of Representatives." Creepy.

12. Joe Versus The Volcano - Speaking of movies a lot of people hate. . . . I've no idea why so many people find it so hard to like a bizarre existentialist dark comedy where Tom Hanks isn't funny, Meg Ryan plays three roles and the hero tries to kill himself by jumping into a volcano. What's not to love? Written and directed by John Patrick Shanley, who also write Moonstruck and Alive. This is the only movie he's directed. Also stars Lloyd Bridges, Robert Stack, Abe Vigoda, Ossie Davis, Dan Hedaya, Amanda Plummer and Carol Kane.

11. Reversal Of Fortune - The West Wing theme continues as Ron Silver plays celebrity lawyer Alan Dershowitz in this legal procedural about how Klaus Von Bulow got his conviction for attempted murder overturned. The mystery is interesting, so is the law, but the movie gets a little overblown and melodramatic at parts (especially the subplot about Dershowitz fighting to keep two poor guys from getting executed. See! he doesn't just help rich people!) Jeremy Irons and Glenn Close are as good as you'd expect playing the Von Bulows, a truly happy couple. Watch for Felicity Huffman as one of Dershowitz's students.

10. Total Recall - definitely in the running for the dubious honor of being The Best Arnold Schwarzenegger Movie. Could have been a really great movie, if only they'd cast a competent lead actor. As is, the combination of 80s style action movie with Phillip K. Dick style screwing with your head is largely effective. It's not as interesting politically as RoboCop or Starship Troopers, but that's OK. Who wants political insight from Schwarzenegger and the guy who directed Showgirls?

9. Dances With Wolves - Marked down for self-righteousness and what you might call 'Mississippi Burning Syndrome', in that finally making a western about the genocide committed against American Indians, they still manage to have a white guy be the hero. In the same way that the FBI are the heros of a story about the violence committed against civil rights workers. Still, it is a very good looking movie. And Kevin Costner isn't all bad, though he's dangerously close to turning into the Costner we all hate.

8. The Hunt For Red October - Avery near perfect little action thriller. It's not particularly smart, but it certainly isn't dumb. It's got a great cast, good effects and almost nothing that doesn't further the plot. The great cast: Sean Connery, Alec Baldwin, Scott Glenn, Sam Neill, James Earl Jones, Joss Acklund, Tim Curry, Jeffery Jones, Stellan Skarsgard, Richard Jordan and future Senator Fred Thompson. The book is very good as well.

7. Hamlet - No one ever talks about it, but I've always loved this version of Hamlet. Probably it's just because it's the first version I saw, and I kept going back to the theatre to try to figure it out (I think it was 4 times I saw it in the theatre). Mel Gibson isn't a great actor, but he's been good on occasion and he's perfectly fine here. The supporting cast carries the movie though: Glenn Close, Ian Holm, Helena Bonham Carter, Paul Scofield and Alan Bates. I greatly prefer it to the Kenneth Branagh version, mostly because I like the medieval castle setting better (this is a very good looking film) than Branagh's Victorian-era mansion. I also found Branagh's beard distracting.


6. Edward Scissorhands - One of Tim Burton's most effective fairy tales, I still think it's a little overrated. Johnny Depp is great in the title role, Kathy Baker, Dianne Weist, Alan Arkin, Vincent Price and Anthony Michael Hall are all also very good. Winona Ryder isn't in it nearly enough. May be Burton's best looking film.

5. The Godfather Part III - Also needs more Winona Ryder. The story is that she was all set to star in it, but called in sick at the last minute. Coppola, having to scramble to find someone, decided to cast his daughter, Sofia, in the key role in the film. She's really not very good and it sinks the whole film as a result. Which is sad, because the movie really is great, aside from her. Its a good looking film, with an interesting performance by Al Pacino and a great one from Andy Garcia. Diane Keaton, Talia Shire, Eli Wallach, Joe Mantegna, George Hamilton and Bridget Fonda also star.

4. Rosencrantz And Guildenstern Are Dead - 1990 was a good year for Shakespeare, I guess. Tom Roth and Gary Oldman star as the two guys Hamlet kills for no reason. The film alternates really interesting insights with absurdist comedy and playing around with words, much like Shakespeare does in Hamlet. Written and directed by Tom Stoppard, it's vastly superior to Shakespeare In Love, which Stoppard won an Oscar for co-writing.

3. Dreams - The last of Akira Kurosawa's movies that I've seen. It's a collection of short films that roughly approximate the director's life and the development of his thinking. Some of the most beautiful images of his career are found here, along with some of the most simplistic thinking. It's mainly two sequences that are flawed: the anti-nuclear one and the finally pro-environment one. They both suffer from the kind of political explicitness that Kurosawa generally avoided. Still, this is possibly the best looking movie of his career. My favorite scenes: The soldier talking to his former unit, who're all dead, and the child witnessing the Fox's wedding in the forest. A beautiful film from one of my all-time favorite directors.

2. Goodfellas - I may be nuts for ranking what many would say is the best film of the decade only #2 in it's year, but it's my list and I think Miller's Crossing is better. Both are great movies, but I prefer the Coens. That's not to say Goodfellas isn't great. It may very well be Scorsese's best movie. I'm not a Ray Liotta fan generally speaking, but he's very good here. Joe Pesci is great in the role that forever typecast him, and Robert DeNiro is Robert DeNiro. Lorrainne Bracco, despite the fact that I think she's great on The Sopranos, I really don't like here. That's about the worst thing I can say about it: I think one of the actresses is a little annoying.

1. Miller's Crossing - Why is Miller's Crossing better than Goodfellas? 1. It's better looking. While Goodfellas is well-directed, the scenery really isn't that interesting. Miller's Crossing however is a beautiful recreation of the Prohibition Era. 2. The writing is better. Goodfellas has a fine, if unoriginal structure. Basically an episodic account of henry Hill's rise and fall. Miller's Crossing is as close to a pulp novel as you can get without actually being a pulp novel. The story is reminiscent of Dashiell Hammett's Red Harvest (a much-filmed story) but the high stylization of the pulps in combination with the Coens's own unique dialogue style fit perfectly together and make for a truly brilliant script. When they've tried the same thing with screwball comedies, it hasn't really worked, but this time it did. 3. It's more interesting. Goodfellas doesnt tell us anything we don't already know. it's the chronicle of an interesting life, but we don't really gain any insight into ciminals or ourselves. Miller's Crossing is opaque. I've spent a long time pondering the importance of hats to Miller's Crossing, I've yet to come up with or encounter a satisfactory explanation. Gabriel Byrne's character is simply more complicated and more unique than Henry Hill. 4. Better cast. While Miller's Crossing doesn't have anyone with the abilities of DeNiro, DeNiro doesn't really do much in Goodfellas. I'd take Gabriel Byrne, Albert Finney, John Tuturro, Marcia Gay Harden, Jon Polito, Steve Buscemi and J. E. Freeman over Ray Liotta, Joe Pesci and Lorraine Bracco any day.


Not too bad on the Unseen this year:

Jacob's Ladder
King Of New York
The Sheltering Sky
Wild At Heart
Cyrano De Bergerac
Memphis Belle
The Adventures Of Ford Fairlane
The Bonfire Of The Vanities
The Two Jakes
Bullet In The Head
Avalon
Wild Orchid
Mo' Better Blues
Ju Dou

Weekend Round-Up

Watched almost 30 episodes of The West Wing this week (Season 6 marathon), and still found time to watch a couple movies.

Hitchhiker's Guide To The Galaxy - I'm glad that people who've never read the books liked it. I did not. For all the usual fan reasons: I hated the inexplicable changes they made, it didn't look right, it just wasn't funny, they made it dumb. Read the books.

40 Year Old Virgin - About what I'd expected after hearing so much about it earlier this year. Very funny, oddly sweet and crude at the same time. The best combination of those two since American Pie or There's Something About Mary.

Going to watch Elizabethtown tomorrow night. I have my doubts about it.