Wednesday, November 05, 2008

Yes We Can!



"If there is anyone out there who still doubts that America is a place where all things are possible; who still wonders if the dream of our founders is alive in our time; who still questions the power of our democracy, tonight is your answer.

It's the answer told by lines that stretched around schools and churches in numbers this nation has never seen; by people who waited three hours and four hours, many for the very first time in their lives, because they believed that this time must be different; that their voice could be that difference.

It's the answer spoken by young and old, rich and poor, Democrat and Republican, black, white, Hispanic, Asian, Native American, gay, straight, disabled and not disabled - Americans who sent a message to the world that we have never been a collection of Red States and Blue States: we are, and always will be, the United States of America.

It's the answer that led those who have been told for so long by so many to be cynical, and fearful, and doubtful of what we can achieve to put their hands on the arc of history and bend it once more toward the hope of a better day.

It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America.

I just received a very gracious call from Senator McCain. He fought long and hard in this campaign, and he's fought even longer and harder for the country he loves. He has endured sacrifices for America that most of us cannot begin to imagine, and we are better off for the service rendered by this brave and selfless leader. I congratulate him and Governor Palin for all they have achieved, and I look forward to working with them to renew this nation's promise in the months ahead.

I want to thank my partner in this journey, a man who campaigned from his heart and spoke for the men and women he grew up with on the streets of Scranton and rode with on that train home to Delaware, the Vice President-elect of the United States, Joe Biden.

I would not be standing here tonight without the unyielding support of my best friend for the last sixteen years, the rock of our family and the love of my life, our nation's next First Lady, Michelle Obama. Sasha and Malia, I love you both so much, and you have earned the new puppy that's coming with us to the White House. And while she's no longer with us, I know my grandmother is watching, along with the family that made me who I am. I miss them tonight, and know that my debt to them is beyond measure.

To my campaign manager David Plouffe, my chief strategist David Axelrod, and the best campaign team ever assembled in the history of politics - you made this happen, and I am forever grateful for what you've sacrificed to get it done.

But above all, I will never forget who this victory truly belongs to - it belongs to you.

I was never the likeliest candidate for this office. We didn't start with much money or many endorsements. Our campaign was not hatched in the halls of Washington - it began in the backyards of Des Moines and the living rooms of Concord and the front porches of Charleston.

It was built by working men and women who dug into what little savings they had to give five dollars and ten dollars and twenty dollars to this cause. It grew strength from the young people who rejected the myth of their generation's apathy; who left their homes and their families for jobs that offered little pay and less sleep; from the not-so-young people who braved the bitter cold and scorching heat to knock on the doors of perfect strangers; from the millions of Americans who volunteered, and organized, and proved that more than two centuries later, a government of the people, by the people and for the people has not perished from this Earth. This is your victory.

I know you didn't do this just to win an election and I know you didn't do it for me. You did it because you understand the enormity of the task that lies ahead. For even as we celebrate tonight, we know the challenges that tomorrow will bring are the greatest of our lifetime - two wars, a planet in peril, the worst financial crisis in a century. Even as we stand here tonight, we know there are brave Americans waking up in the deserts of Iraq and the mountains of Afghanistan to risk their lives for us. There are mothers and fathers who will lie awake after their children fall asleep and wonder how they'll make the mortgage, or pay their doctor's bills, or save enough for college. There is new energy to harness and new jobs to be created; new schools to build and threats to meet and alliances to repair.

The road ahead will be long. Our climb will be steep. We may not get there in one year or even one term, but America - I have never been more hopeful than I am tonight that we will get there. I promise you - we as a people will get there.

There will be setbacks and false starts. There are many who won't agree with every decision or policy I make as President, and we know that government can't solve every problem. But I will always be honest with you about the challenges we face. I will listen to you, especially when we disagree. And above all, I will ask you join in the work of remaking this nation the only way it's been done in America for two-hundred and twenty-one years - block by block, brick by brick, calloused hand by calloused hand.

What began twenty-one months ago in the depths of winter must not end on this autumn night. This victory alone is not the change we seek - it is only the chance for us to make that change. And that cannot happen if we go back to the way things were. It cannot happen without you.

So let us summon a new spirit of patriotism; of service and responsibility where each of us resolves to pitch in and work harder and look after not only ourselves, but each other. Let us remember that if this financial crisis taught us anything, it's that we cannot have a thriving Wall Street while Main Street suffers - in this country, we rise or fall as one nation; as one people.

Let us resist the temptation to fall back on the same partisanship and pettiness and immaturity that has poisoned our politics for so long. Let us remember that it was a man from this state who first carried the banner of the Republican Party to the White House - a party founded on the values of self-reliance, individual liberty, and national unity. Those are values we all share, and while the Democratic Party has won a great victory tonight, we do so with a measure of humility and determination to heal the divides that have held back our progress. As Lincoln said to a nation far more divided than ours, "We are not enemies, but friends...though passion may have strained it must not break our bonds of affection." And to those Americans whose support I have yet to earn - I may not have won your vote, but I hear your voices, I need your help, and I will be your President too.

And to all those watching tonight from beyond our shores, from parliaments and palaces to those who are huddled around radios in the forgotten corners of our world - our stories are singular, but our destiny is shared, and a new dawn of American leadership is at hand. To those who would tear this world down - we will defeat you. To those who seek peace and security - we support you. And to all those who have wondered if America's beacon still burns as bright - tonight we proved once more that the true strength of our nation comes not from our the might of our arms or the scale of our wealth, but from the enduring power of our ideals: democracy, liberty, opportunity, and unyielding hope.

For that is the true genius of America - that America can change. Our union can be perfected. And what we have already achieved gives us hope for what we can and must achieve tomorrow.

This election had many firsts and many stories that will be told for generations. But one that's on my mind tonight is about a woman who cast her ballot in Atlanta. She's a lot like the millions of others who stood in line to make their voice heard in this election except for one thing - Ann Nixon Cooper is 106 years old.

She was born just a generation past slavery; a time when there were no cars on the road or planes in the sky; when someone like her couldn't vote for two reasons - because she was a woman and because of the color of her skin.

And tonight, I think about all that she's seen throughout her century in America - the heartache and the hope; the struggle and the progress; the times we were told that we can't, and the people who pressed on with that American creed: Yes we can.

At a time when women's voices were silenced and their hopes dismissed, she lived to see them stand up and speak out and reach for the ballot. Yes we can.

When there was despair in the dust bowl and depression across the land, she saw a nation conquer fear itself with a New Deal, new jobs and a new sense of common purpose. Yes we can.

When the bombs fell on our harbor and tyranny threatened the world, she was there to witness a generation rise to greatness and a democracy was saved. Yes we can.

She was there for the buses in Montgomery, the hoses in Birmingham, a bridge in Selma, and a preacher from Atlanta who told a people that "We Shall Overcome." Yes we can.

A man touched down on the moon, a wall came down in Berlin, a world was connected by our own science and imagination. And this year, in this election, she touched her finger to a screen, and cast her vote, because after 106 years in America, through the best of times and the darkest of hours, she knows how America can change. Yes we can.

America, we have come so far. We have seen so much. But there is so much more to do. So tonight, let us ask ourselves - if our children should live to see the next century; if my daughters should be so lucky to live as long as Ann Nixon Cooper, what change will they see? What progress will we have made?

This is our chance to answer that call. This is our moment. This is our time - to put our people back to work and open doors of opportunity for our kids; to restore prosperity and promote the cause of peace; to reclaim the American Dream and reaffirm that fundamental truth - that out of many, we are one; that while we breathe, we hope, and where we are met with cynicism, and doubt, and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of a people:

Yes We Can. Thank you, God bless you, and may God Bless the United States of America."

Tuesday, November 04, 2008

The Zen Of Beatrix


The House Next Door provides this fascinating reading of the Kill Bill movies as a Zen allegory by Michael K. Crowley. I rewatched the films yesterday, and his theory holds up pretty well, and makes me appreciate Vol. 2 more than I ever have before. I've always defended these films on pure love of cinema grounds, arguing that Tarantino's movies are as pure an expression of cinephilia as anything in film. But it's nice to think that there might be some larger purpose to them as well.

The one question I'd have, is that Crowley leaves out the one scene that has always bothered me in Vol. 2, Beatrix's meeting with the aged pimp Esteban. It doesn't appear to have anything to do with her Zen quest, though it might play a part in a feminist reading of the film, as another example of an evil male/father figure for The Bride to defeat along with Bill, Buck and arguably Pai Mei (Hattori Hanzo being the only unambiguously positive male figure in the films). But Beatrix doesn't actually do anything to stop Esteban's cruelty to women. Either way, the scene really kills the film's momentum leading up to the final confrontation with Bill. I really don't know what purpose it's supposed to serve.

Tuesday, October 21, 2008

Movie Roundup: Go Rays Edition

I've got a cold coming on, so I'm going to be ever briefer than usual. Here's what I've seen over the last month or so, along with where each film ranks on my Movies Of The Year lists:

Bob le flambeur - 7, 1956
Legendary Weapons Of China - 11, 1982
Paris When It Sizzles - 19, 1964
Khartoum - 24, 1966
The Cobweb - 27, 1955
Mr. Deeds Goes To Town - 11, 1936
The Lady Is Willing - 17, 1942
Gimme Shelter - 8, 1970
Miss Pettigrew Lives For A Day - 19, 2008
The Last Frontier - 25, 1955
Babes In Arms - 21, 1939
The Major And The Minor - 12, 1942
Across the Pacific - 16, 1942
Adivse And Consent - 8, 1962
Green For Danger - 13, 1946
Libeled Lady - 14, 1936
The Rest Is Silence - 30, 2007
Wonderful Town - 6, 2007
Burn After Reading - 21, 2008
Eagle Shooting Heroes - 16, 1993
W. 24 - 2008
Nick And Norah's Infinite Playlist - 25, 2008

And something to entertain you while I try to fight off the bug:


Monday, October 13, 2008

List Roundup

Been putting some lists together for the filmspotting message board lately, I figure I might as well post them here too.

First, My Top 20 (Non-Classical or Jazz) Albums Of All-Time:

20. Siamese Dream - Smashing Pumpkins
19. Highway 61 Revisited - Bob Dylan
18. Nevermind - Nirvana
17. Rust Never Sleeps - Neil Young & Crazy Horse
16. Are You Experienced? - The Jimi Hendrix Expereince
15. Blood On The Tracks - Bob Dylan
14. Kid A - Radiohead
13. Daydream Nation - Sonic Youth
12. If I Should Fall From Grace With God - The Pogues
11. IV - Led Zeppelin
10. Exile On Main Street - The Rolling Stones
9. Abbey Road - The Beatles
8. Pinkerton - Weezer
7. London Calling - The Clash
6. Crooked Rain, Crooked Rain - Pavement
5. Love And Theft - Bob Dylan
4. Odelay - Beck
3. The White Album - The Beatles
2. Bringing It All Back Home - Bob Dylan
1. 69 Love Songs - The Magnetic Fields


And My Top 20 Books (Not Plays) Of All-Time:

20. The Baroque Cycle by Neal Stephenson
19. The Red & The Black by Stendhal
18. Foucault's Pendulum by Umberto Eco
17. The Odyssey by Homer
16. The Song Of Fire & Ice by George R. R. Martin
15. The Sun Also Rises by Ernest Hemingway
14. The Count Of Monte Cristo by Alexandre Dumas
13. The Lord Of The Rings by J. R. R. Tolkein
12. Dirk Gently's Holistic Detective Agency by Douglas Adams
11. The Ground Beneath Her Feet by Salmon Rushdie
10. One Hundred Years Of Solitude by Gabriel Garcia Márquez
9. Crime & Punishment by Fyodor Dostoyevsky
8. War & Peace by Leo Tolstoy
7. The Hitchhiker's Guide To The Galaxy Series by Douglas Adams
6. The Master & Commander Series by Patrick O'Brien
5. The Brothers Karamazov by Fyodor Dostoyevsky
4. Love In The Time Of Cholera by Gabriel Garcia Márquez
3. Fear & Loathing In Las Vegas by Hunter S. Thompson
2. Portrait Of The Artist As A Young Man by James Joyce
1. The Great Gatsby by F. Scott Fitzgerald

Tuesday, October 07, 2008

Movie Roundup: VIFF Edition

The wife and I are just back from the Vancouver International Film Festival, where we say eleven films in four and a half days. It was my first festival ever, I believe she'd seen some films at the Seattle one before, but this was the first outside of our hometown. It was a lot of fun, I only wish I'd bought an umbrella.

Waltz With Bashir - Good, but I expected better from all the buzz around it. The animation is quite nice, not particularly smooth or realistic, but it works for the story. The music is great. At times, the movie feels like it's trying to absolve Israelis of the atrocities in Lebanon by telling them it wasn't their fault, that it was the Christians, that the Israelis were just young and didn't know any better. There's a fine line between coping with guilt over your actions and making excuses to yourself for yourself. I don't know that the film is entirely successful at walking that line.

Sparrow - A tremendous amount of fun from director Johnnie To. It takes the style of the modern HK action film and makes a goofy, lighthearted near-musical out of a gang of pickpockets trying to rescue a pretty girl. The humor isn't over the top in the way a lot of HK comedies I've seen from the 90s are, instead it feels closer to The Young Girls Of Rochefort (without the singing and dancing) than I've seen in a Chinese film. The wife liked it a lot too, its our favorite of the festival so far.

Of Time And The City - Terence Davies documentary about his hometown of Liverpool, feels like his attempt at a My Winnipeg (which I've yet to see). Over mostly archival footage he rectites poetry, muses on the passage of time, makes fun of the Queen and The Beatles and talks a bit about growing up gay and Catholic. The historical shots are fascinating, slice of life images of Liverpudlians going about their rather dull days surrounded by hideously ugly buildings. The narration is alright when Davies is musing, obnoxious when he's being bitchy. The film breaks down near the end, where it had been chronicling the urban decay he grew up with, as soon as he comes out and declares atheism, his personal stoyr ends (sometime in the mid60s) and all of a sudden we're transported from the rundown town of that era to the shiny new metropolis from the present. No explanation, no more personal history. It feels slapped together in the end. The wife disliked it a lot more than I did. At least I enjoyed the reallife documentary images. She just thought it was all pretty pointless.

Happy Go Lucky - I'm with what i think the consensus is: Hawkins is terrific, the film is a lot of fun. It's an interesting study the MPDG character. She starts off as the annoying cliche, but as the film goes along, she becomes more and more an actual character as we see the stereotype deal with actual human problems (and not just movie problems). With this and Topsy-Turvy, I like Mike leigh a lot when he's not trying to be depressing (ahem, Secrets & Lies).

The Rest Is Silence - Entertaining Romanian film about the making of that countries first silent feature. Very mainstream in style (and far away, I imagine, from those Romanian films getting raves at Cannes). There's a twist at the end I didn't like at all.

Sita Sings The Blues - Irreverent animated telling of the Ramayana, interspersed with some great songs of the 20s. Hilarious, the animation (in at least four different styles) is really cool, and a nice message the ways we use narrative to explain and cope with issues in our own lives, at how little this aspect of human nature has changed over the centuries. My wife's favorite of the whole festival, it might be mine too.

Equation Of Love And Death - A well-made Chinese thriller with comic and romantic elements about a taxi driver kidnapped by inept drug runners while almost finding her long lost boyfriend. Zhou Xun is really terrific as the cab driver. It feels more Hong Kong than Chinese, but maybe I've only seen a lot of slow-paced, esoteric Chinese films. The wife liked this one a lot too.

Let The Right One In - Swedish adolescent vampire movie. A 12 year old outcast boy makes friends with the unnaturally pale girl next door. Some nice moments, but all-in-all, a rather depressing film. It's alright, but I was never particularly excited about it.

Wonderful Town - Thai movie about an architect helping to rebuild a coastal resort post-tsunami. He has an affair with the local hotel owner, scandalizing her brother and leading to some small town outrage. It occupies a kind of middle ground between Pen-Ek and Apichatpong, plot-wise. A beautiful film, but I'm a sucker for images of Thai beaches, especially with the weird grey-brown overcast light they seem to have. The wife thought it was pretty dull.

Good Cats - Ultra-low budget Chinese film (video) about a chauffeur for a petty gangster/real-estate developer. His boss' deal with a local village is going badly, the his mentor is really depressed due to debt, his wife hates him for not being more successful, and their apartment appears to be trying to kill him. If that wasn't enough, every 20 minutes or so, a Chinese metal band walks out of the scenery and sings/growls bizarre lyrics somewhat related to the story, Greek Chorus-style. Filmed in the single long motionless take style of Asian minimalism, but with an quite interesting use of depth. Not quite as ornate as Hou's compositions, but still pretty cool. The wife really didn't like this one. It was the rock band that put it over the top for her.

Rachel Getting Married - Anne Hathaway is good. I'm not good with acting, but she created what seemed like a real character for me, although it never really felt spontaneous. The whole film feels kind of planned out like that, if that makes any sense at all. It's often funny, Rosemarie deWitt (from Mad Men is great as Rachel, there's a weird guy who couldn't look (and act) more like George Clooney if he tried (seriously, for while I thought Clooney might have dyed his hair and appeared unbilled, its creepy), I totally failed to spot Roger Corman, despite looking for him the whole movie. I liked it better than Margot as it was less sensationalistic (but still too much so for me), the wife prefers Margot (the message of which, she says and agrees with, is that "some people just shouldn't have children". She believes this is the message of Squid as well). The music is terrific.



All in all, I'd say:

1. Sita Sings The Blues
2. Sparrow
3. Wonderful Town
4. Rachel Getting Married
5. Happy Go Lucky
6. Equation Of Love And Death
7. Good Cats
8. Waltz With Bashir
9. The Rest Is Silence
10. Of Time And The City
11. Let the Right One In

Thursday, October 02, 2008

Metro Classics Returns!


We're back with another repertory series starting next Wednesday, October 8th and continuing every Wednesday night at Seattle's charming Metro Cinemas until December 3rd. The theme this time around is film families, with movies from three sets of father, mother and daughter. Here's the schedule:

Rossellini-Bergmans

Oct. 08 - Rome, Open City
Oct. 15 - Notorious
Oct. 22 - Blue Velvet

Leigh-Curtises:

Oct. 29 - A Fish Called Wanda
Nov. 05 - The Manchurian Candidate
Nov. 12 - Some Like It Hot

Minnelli-Garlands:

Nov. 19 - The Band Wagon
Nov. 26 - The Wizard Of Oz
Dec. 03 - Cabaret

Meanwhile, I'm going on vacation for a week. But I'll be back next Wednesday for the return of Metro Classics. Family fun for the whole family!

Movies Of The Year Awards: 2007

Best Picture:

The End: I'm Not There
Oscar: No Country For Old Men

Best Director:

The End: Todd Haynes, I'm Not There
Oscar: Joel & Ethan Coen, No Country For Old Men

Actor:

The End: Daniel Day-Lewis, There Will Be Blood
Oscar: Daniel Day-Lewis, There Will Be Blood

Actress:

The End: Tang Wei, Lust, Caution
Oscar: Marion Cotillard, La vie en rose

Supporting Actor:

The End: Javier Bardem, No Country For Old Men
Oscar: Javier Bardem, No Country For Old Men

Supporting Actress:

The End: Cate Blanchett, I'm Not There
Oscar: Tilda Swinton, Michael Clayton

Original Screenplay:

The End: Todd Haynes & Oren Moverman, I'm Not There
Oscar: Diablo Cody, Juno

Adapted Screenplay:

The End: Paul Thomas Anderson, There Will Be Blood
Oscar: Joel & Ethan Coen, No Country For Old Men

Foreign Language Film:

The End: The Flight Of The Red Balloon
Oscar: The Counterfeiters

Documentary Feature:

The End: Helvetica
Oscar: Taxi To The Dark Side

Animated Feature:

The End: Ratatouille
Oscar: Ratatouille

Film Editing:

The End: Jay Rabinowitz, I'm Not There
Oscar: Christopher Rouse, The Bourne Ultimatum

Cinematography:

The End: Roger Deakins, The Assassination of Jesse James By The Coward Robert Ford and No Country For Old Men
Oscar: Robert Elswit, There Will Be Blood

Art Direction:

The End: The Darjeeling Limited
Oscar: Sweeney Todd

Costume Design:

The End: I'm Not There
Oscar: Elizabeth: The Golden Age

Make-Up:

The End: Pirates Of The Caribbean: At World's End
Oscar: La vie en rose

Sound:

The End: I'm Not There
Oscar: The Bourne Ultimatum

Sound Effects Editing:

The End: No Country For Old Men
Oscar: The Bourne Ultimatum

Visual Effects:

The End: Transformers
Oscar: The Golden Compass

Original Score:

The End: Jonny Greenwood, There Will Be Blood
Oscar: Dario Marianelli, Atonement

Original Song:

The End: Bob Dylan, "I'm Not There", I'm Not There
Oscar: Glen Hansard and Markéta Irglová, "Falling Slowly", Once

Soundtrack:

The End: I'm Not There

Movies Of The Year Awards: 2006

Best Picture:

The End: The Wind That Shakes The Barley
Oscar: The Departed

Best Director:

The End: Ken Loach, The Wind That Shakes The Barley
Oscar: Martin Scorsese, The Departed

Actor:

The End: Cillian Murphy, The Wind That Shakes The Barley
Oscar: Forest Whitaker, The Last King Of Scotland

Actress:

The End: Markéta Irglová, Once
Oscar: Helen Mirren, The Queen

Supporting Actor:

The End: Irfan Kahn, The Namesake
Oscar: Alan Arkin, Little Miss Sunshine

Supporting Actress:

The End: Shiyang-chyi Chen, I Don't Want To Sleep Alone
Oscar: Jennifer Hudson, Dreamgirls

Original Screenplay:

The End: Paul Laverty, The Wind That Shakes The Barley
Oscar: Michael Arndt, Little Miss Sunshine

Adapted Screenplay:

The End: William Monahan, The Departed
Oscar: William Monahan, The Departed

Foreign Language Film:

The End: Still Life
Oscar: The Lives Of Others

Animated Feature:

The End: A Scanner Darkly
Oscar: Happy Feet

Film Editing:

The End: Takeshi Seyama, Paprika
Oscar: Thelma Schoonmaker, The Departed

Cinematography:

The End: Dion Beebe, Miami Vice
Oscar: Guillermo Navarro, Pan's Labyrinth

Art Direction:

The End: The Wind That Shakes The Barley
Oscar: Pan's Labyrinth

Costume Design:

The End: The Wind That Shakes The Barley
Oscar: Marie Antoinette

Make-Up:

The End: Pan's Labyrinth
Oscar: Pan's Labyrinth

Sound:

The End: Miami Vice
Oscar: Dreamgirls

Sound Effects Editing:

The End: Pirates Of The Caribbean: Dead Man's Chest
Oscar: Letters From Iwo Jima

Visual Effects:

The End: Pirates Of The Caribbean: Dead Man's Chest
Oscar: Pirates Of The Caribbean: Dead Man's Chest

Original Score:

The End: Susumu Hirasawa, Paprika
Oscar: Gustavo Santaolalla, Babel

Original Song:

The End: Radiohead, "Arpeggi", A Scanner Darkly
Oscar: Melissa Etheridge. "I Need To Wake Up", An Inconvenient Truth

Soundtrack:

The End: Once

Movies Of The Year Awards: 2005

Best Picture:

The End: The New World
Oscar: Crash

Best Director:

The End: Terrence Malick, The New World
Oscar: Ang Lee, Brokeback Mountain

Actor:

The End: Eric Bana, Munich
Oscar: Philip Seymour Hoffman, Capote

Actress:

The End: Q'orianka Kilcher, The New World
Oscar: Reese Witherspoon, Walk The Line

Supporting Actor:

The End: Mickey Rourke, Sin City
Oscar: George Clooney, Syriana

Supporting Actress:

The End: Maria Bello, A History Of Violence
Oscar: Rachel Weisz, The Constant Gardener

Original Screenplay:

The End: Hou Hsiao-hsien and Chu T'ien-wen, Three Times
Oscar: Paul Haggis and Robert Moresco, Crash

Adapted Screenplay:

The End: Frank Cottrell Boyce, Tristram Shandy
Oscar: Larry McMurtry and Diana Ossana, Brokeback Mountain

Foreign Language Film:

The End: Three Times
Oscar: Tsotsi

Documentary Feature:

The End: Grizzly Man
Oscar: March Of The Penguins

Live-Action Short Film:

The End: My Dad Is 100 Years Old
Oscar: Six Shooter

Film Editing:

The End: Michael Kahn, Munich
Oscar: Hughes Winborne, Crash

Cinematography:

The End: Emmanuel Lubezki, The New World
Oscar: Dion Beebe, Memoirs Of A Geisha

Art Direction:

The End: Princess Raccoon
Oscar: Memoirs Of A Geisha

Costume Design:

The End: Princess Raccoon
Oscar: Memoirs Of A Geisha

Make-Up:

The End: Sin City
Oscar: Chronicles Of Narnia

Sound:

The End: Munich
Oscar: King Kong

Sound Effects Editing:

The End: The War Of The Worlds
Oscar: King Kong

Visual Effects:

The End: King Kong
Oscar: King Kong

Original Score:

The End: Michiru Ôshima , Princess Raccoon
Oscar: Gustavo Santaolalla, Brokeback Mountain

Original Song:

The End: Tom Petty, "Square One", Elizabethtown
Oscar: Three 6 Mafia, "It's Hard Out Here For A Pimp", Hustle & Flow

Soundtrack:

The End: No Direction Home

Wednesday, October 01, 2008

Movies Of The Year Awards: 2004

Best Picture:

The End: House Of Flying Daggers
Oscar: Million Dollar Baby

Best Director:

The End: Wong Kar-wai, 2046
Oscar: Clint Eastwood, Million Dollar Baby

Actor:

The End: Tony Leung, 2046
Oscar: Jamie Foxx, Ray

Actress:

The End: Zhang Ziyi, 2046 and House Of Flying Daggers
Oscar: Hilary Swank, Million Dollar Baby

Supporting Actor:

The End: Willem Dafoe, The Life Aquatic With Steve Zissou
Oscar: Morgan Freeman, Million Dollar Baby

Supporting Actress:

The End: Cate Blanchett, The Life Aquatic With Steve Zissou and The Aviator
Oscar: Cate Blanchett, The Aviator

Original Screenplay:

The End: Apichatpong Weerasethakul, Tropical Malady
Oscar: Charlie Kaufman, Michel Gondry and Pierre Bismuth, Eternal Sunshine Of The Spotless Mind

Adapted Screenplay:

The End: Hayao Miyazaki, Howl's Moving Castle
Oscar: Alexander Payne and Jim Taylor, Sideways

Foreign Language Film:

The End: House Of Flying Daggers
Oscar: The Sea Inside

Documentary Feature:

The End: Henri Langlois: Phantom Of The Cinematheque
Oscar: Born Into Brothels

Animated Feature:

The End: The Incredibles
Oscar: The Incredibles

Film Editing:

The End: Long Cheng, House Of Flying Daggers
Oscar: Thelma Schoonmaker, The Aviator

Cinematography:

The End: Zhao Xiaoding, House Of Flying Daggers
Oscar: Robert Richardson, The Aviator

Art Direction:

The End: The World
Oscar: The Aviator

Costume Design:

The End: House Of Flying Daggers
Oscar: The Aviator

Make-Up:

The End: Hellboy
Oscar: Lemony Snicket

Sound:

The End: The Aviator
Oscar: Ray

Sound Effects Editing:

The End: The Incredibles
Oscar: The Incredibles

Visual Effects:

The End: Sky Captain And The World Of Tomorrow
Oscar: Spiderman 2

Original Score:

The End: Shigeru Umebayashi, 2046 and House Of Flying Daggers
Oscar: Jan Kaczmarek, Finding Neverland

Original Song:

The End: Mark Mothersbaugh, "Ping Island", The Life Aquatic With Steve Zissou
Oscar: Jorge Drexler, "Al Otro Lado Del Río", The Motorcycle Diaries

Soundtrack:

The End: The Life Aquatic With Steve Zissou

Movies Of The Year Awards: 2003

Best Picture:

The End: Kill Bill, Vol. 1
Oscar: The Return Of The King

Best Director:

The End: Quentin Tarantino, Kill Bill Vol. 1
Oscar: Peter Jackson, Return Of The King

Actor:

The End: Tadanobu Asano, Last Life In The Universe and Café Lumière
Oscar: Sean Penn, Mystic River

Actress:

The End: Uma Thurman, Kill Bill Vol. 1
Oscar: Charlize Theron, Monster

Supporting Actor:

The End: Johnny Depp, Pirates Of The Caribbean and Once Upon A Time In Mexico
Oscar: Tim Robbins, Mystic River

Supporting Actress:

The End: Sinitta Boonyasak, Last Life In The Universe
Oscar: Renée Zellweger, Cold Mountain

Original Screenplay:

The End: Kim Ki-duk, Spring, Summer, Fall, Winter . . . and Spring
Oscar: Sofia Coppola, Lost In Translation

Adapted Screenplay:

The End: Peter Weir & John Collee, Master And Commander
Oscar: Fran Walsh, Philippa Boyens and Peter Jackson, Return Of The King

Foreign Language Film:

The End: Last Life In The Universe
Oscar: The Barbarian Invasions

Documentary Feature:

The End: The Fog Of War
Oscar: The Fog Of War

Animated Feature:

The End: Finding Nemo
Oscar: Finding Nemo

Film Editing:

The End: Sally Menke, Kill Bill Vol. 1
Oscar: Jamie Selkirk, Return Of The King

Cinematography:

The End: Baek Dong-hyeon, Spring, Summer, Fall, Winter . . . and Spring
Oscar: Russell Boyd, Master And Commander

Art Direction:

The End: Master And Commander
Oscar: Return Of The King

Costume Design:

The End: Down With Love
Oscar: Return Of The King

Make-Up:

The End: Pirates Of The Caribbean
Oscar: Return Of The King

Sound:

The End: Return Of The King
Oscar: Return Of The King

Sound Effects Editing:

The End: Master And Commander
Oscar: Master And Commander

Visual Effects:

The End: Return Of The King
Oscar: Return Of The King

Original Score:

The End: Christopher Dedrick, The Saddest Music In The World
Oscar: Howard Shore, Return Of The King

Original Song:

The End: Dharini Divari, "Gravity", Last Life In The Universe
Oscar: Annie Lennox, "Into The West", Return Of The King

Soundtrack:

The End: Masked And Anonymous

Movies Of The Year Awards: 2002

Best Picture:

The End: Punch-Drunk Love
Oscar: Chicago

Best Director:

The End: Zhang Yimou, Hero
Oscar: Roman Polanski, The Pianist

Actor:

The End: Steve Coogan, 24 Hour Party People
Oscar: Adrien Brody, The Pianist

Actress:

The End: Gong Li, Zhou Yu's Train
Oscar: Nicole Kidman, The Hours

Supporting Actor:

The End: Daniel Day-Lewis, Gangs Of New York
Oscar: Chris Cooper, Adaptation

Supporting Actress:

The End: Isabelle Huppert, 8 Women
Oscar: Catherine Zeta-Jones, Chicago

Original Screenplay:

The End: Alan Mak and Felix Chong, Infernal Affairs
Oscar: Pedro Almodóvar, Talk To Her

Adapted Screenplay:

The End: François Ozon and Marina de Van, 8 Women
Oscar: Ronald Harwood, The Pianist

Foreign Language Film:

The End: Hero
Oscar: Nowhere In Africa

Documentary Feature:

The End: Bowling For Columbine
Oscar: Bowling For Columbine

Animated Feature:

The End: Ice Age (Sorry, it's the only one I've seen)
Oscar: Spirited Away

Film Editing:

The End: Angie Lam, Hero
Oscar: Martin Walsh, Chicago

Cinematography:

The End: Christopher Doyle, Hero
Oscar: Conrad Hall, Road To Perdition

Art Direction:

The End: Hero
Oscar: Chicago

Costume Design:

The End: The Two Towers
Oscar: Chicago

Make-Up:

The End: The Two Towers
Oscar: Frida

Sound:

The End: The Two Towers
Oscar: Chicago

Sound Effects Editing:

The End: The Two Towers
Oscar: The Two Towers

Visual Effects:

The End: The Two Towers
Oscar: The Two Towers

Original Score:

The End: Jon Brion, Punch-Drunk Love
Oscar: Elliot Goldenthal, Frida

Original Song:

The End: Eminem, "Lose Yourself", 8 Mile
Oscar: Eminem, "Lose Yourself", 8 Mile

Soundtrack:

The End: Punch-Drunk Love

Movies Of The Year Awards: 2001

Best Picture:

The End: Millennium Mambo
Oscar: A Beautiful Mind

Best Director:

The End: Hou Hsiao-hsien, Millennium Mambo
Oscar: Ron Howard, A Beautiful Mind

Actor:

The End: Billy Bob Thornton, The Man Who Wasn't There
Oscar: Denzel Washington, Training Day

Actress:

The End: Shu Qi, Millennium Mambo
Oscar: Halle Berry, Monster's Ball

Supporting Actor:

The End: Ian McKellen, The Fellowship Of The Ring
Oscar: Jim Broadbent, Iris

Supporting Actress:

The End: Penelope Cruz, Vanilla Sky
Oscar: Jennifer Connelly, A Beautiful Mind

Original Screenplay:

The End: Wes Anderson & Owen Wilson, The Royal Tenenbaums
Oscar: Julian Fellowes, Gosford Park

Adapted Screenplay:

The End: Steven Spielberg and Ian Watson, AI: Artificial Intelligence
Oscar: Akiva Goldsman, A Beautiful Mind

Foreign Language Film:

The End: Millennium Mambo
Oscar: No Man's Land

Documentary Feature:

The End: If I Should Fall From Grace
Oscar: Murder On A Sunday Morning

Animated Feature:

The End: Waking Life
Oscar: Shrek

Film Editing:

The End: Jill Bilcock, Moulin Rouge!
Oscar: Pietro Scalia, Black Hawk Down

Cinematography:

The End: Mark Lee Ping-bin, Millennium Mambo
Oscar: Andrew Lesnie, The Fellowship Of The Ring

Art Direction:

The End: The Royal Tenenbaums
Oscar: Moulin Rouge!

Costume Design:

The End: The Fellowship Of The Ring
Oscar: Moulin Rouge!

Make-Up:

The End: The Fellowship Of The Ring
Oscar: The Fellowship Of The Ring

Sound:

The End: The Fellowship Of The Ring
Oscar: Black Hawk Down

Sound Effects Editing:

The End: The Fellowship Of The Ring
Oscar: Pearl Harbor

Visual Effects:

The End: The Fellowship Of The Ring
Oscar: The Fellowship Of The Ring

Original Score:

The End: Yoshihiro Hanno and Giong Lim, Millennium Mambo
Oscar: Howard Shore, The Fellowship Of The Ring

Original Song:

The End: Yoko Kanno, "Diggin", Knockin' On Heaven's Door
Oscar: Randy Newman, "If I Didn't Have You", Monsters, Inc

Soundtrack:

The End: The Royal Tenenbaums

Tuesday, September 30, 2008

Movies Of The Year Awards: 2000

Best Picture:

The End: Crouching Tiger, Hidden Dragon
Oscar: Gladiator

Best Director:

The End: Ang Lee, Crouching Tiger, Hidden Dragon
Oscar: Steven Soderberg, Traffic

Actor:

The End: Tony Leung, In The Mood For Love
Oscar: Russell Crowe, Gladiator

Actress:

The End: Zhang Ziyi, Crouching Tiger, Hidden Dragon
Oscar: Julia Roberts, Erin Brockovich

Supporting Actor:

The End: Benicio Del Toro, Traffic
Oscar: benicio Del Toro, Traffic

Supporting Actress:

The End: Michelle Yeoh, Crouching Tiger, Hidden Dragon
Oscar: Marcia Gay Harden, Pollack

Original Screenplay:

The End: Edward Yang, Yi yi
Oscar: Cameron Crowe, Almost Famous

Adapted Screenplay:

The End: Steve Cloves, Wonder Boys
Oscar: Stephen Gaghan, Traffic

Foreign Language Film:

The End: Crouching Tiger, Hidden Dragon
Oscar: Crouching Tiger, Hidden Dragon

Documentary Feature:

The End: Jeff Buckley: Live In Chicago
Oscar: Into The Arms Of Strangers

Live Action Short Film:

The End: The Heart Of The World
Oscar: I Want To Be . . .

Film Editing:

The End: Tim Squyres, Crouching Tiger, Hidden Dragon
Oscar: Stephen Mirrione, Traffic

Cinematography:

The End: Christopher Doyle and Mark Lee Ping-bin, In The Mood For Love
Oscar: Peter Pau, Crouching Tiger, Hidden Dragon

Art Direction:

The End: Crouching Tiger, Hidden Dragon
Oscar: Crouching Tiger, Hidden Dragon

Costume Design:

The End: Crouching Tiger, Hidden Dragon
Oscar: Gladiator

Make-Up:

The End: X-Men
Oscar: How The Grinch Stole Christmas

Sound:

The End: Crouching Tiger, Hidden Dragon
Oscar: Gladiator

Sound Effects Editing:

The End: Gladiator
Oscar: U-571

Visual Effects:

The End: Gladiator
Oscar: Gladiator

Original Score:

The End: Tan Dun, Crouching Tiger, Hidden Dragon
Oscar: Tan Dun, Crouching Tiger, Hidden Dragon

Original Song:

The End: Bob Dylan, "Things Have Changed", Wonder Boys
Oscar: Bob Dylan, "Things Have Changed", Wonder Boys

Soundtrack:

The End: In the Mood For Love