The End of Cinema

Monday, February 24, 2014

2010 Endy Awards, Revised

Two years ago, I gave out a bunch of awards for the best films of 2010. Of course, due to the vagaries of film distribution, many great films from that year were only released (or became available to me) long after I handed them out. So here is an up-to-date accounting of my 2010 Endy Awards.

Other years can be found in the Endy Awards Index. Eligibility is determined by imdb date and by whether or not I've seen the movie in question. Nominees are presented in alphabetical order, the winner is bolded. And the Endy goes to. . .

Best Picture:

1. Certified Copy
2. Meek's Cutoff
3. Mysteries of Lisbon
4. Oki's Movie
5. Uncle Boonmee Who Can Recall His Past Lives

Best Director:

1. Olivier Assays, Carlos
2. Abbas Kiarostami, Certified Copy
3. Hong Sangsoo, Oki's Movie
4. Raoul Ruiz, Mysteries of Lisbon
5. Apichatpong Weerasethakul, Uncle Boonmee

Best Actor:

1. James Franco, 127 Hours
2. Edgar Ramirez, Carlos
3. Jiang Wen, Let the Bullets Fly
4. Leonardo DiCaprio, Shutter Island
5. Jesse Eisenberg, The Social Network

Best Actress:

1. Juliette Binoche, Certified Copy
2. Emma Stone, Easy A
3. Miriam Yeung, Love in a Puff
4. Michelle Williams, Meek's Cutoff
5. Jung Yoo-mi, Oki's Movie

Supporting Actor:

1. Teddy Robin Kwan, Gallants
2. Mark Ruffalo, The Kids are All Right
3. Chow Yun-fat, Let the Bullets Fly
4. Bruce Greenwood, Meek's Cutoff
5. John Hawkes, Winter's Bone

Teddy Robin Kwan is a Hong Kong icon, a rock star from the 60s and 70s who appeared in a number of films, in particular wacky Cinema City and Tsui Hark comedies.

Supporting Actress:

1. Lesley Manville, Another Year
2. Wei Wei, The Drunkard
3. Greta Gerwig, Greenberg
4. Rosamund Pike, Made in Dagenham
5. Rooney Mara, The Social Network

This is the first of three consecutive Endy wins for Gerwig, as she'll go on to win Best Actress Awards for Damsels in Distress and then Frances Ha. Safe to say she's a favorite here at The End.

Original Screenplay:

1. Olivier Assayas, Dan Franck & Daniel Leconte, Carlos
2. Abbas Kiarostami, Certified Copy
3. Hong Sangsoo, Oki's Movie
4. Zhu Wen, Thomas Mao
5. Apichatpong Weerasethakul, Uncle Boonmee Who Can Recall His Past Lives

Adapted Screenplay:

1. Sylvain Chomet, The Illusionist
2. Carlos Saboga, Mysteries of Lisbon
3. Catherine Breillat, The Sleeping Beauty
4. Aaron Sorkin, The Social Network
5. Joel & Ethan Coen, True Grit

Foreign Language Film:

1. Carlos (Olivier Assayas)
2. Certified Copy (Abbas Kiarostami)
3. Mysteries of Lisbon (Raoul Ruiz)
4. Oki's Movie (Hong Sangsoo)
5. Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul)

Documentary Feature:

1. Boxing Gym (Frederick Wiseman)

2. Cave of Forgotten Dreams (Werner Herzog)

3. Exit Through the Gift Shop (Banksy)
4. I Wish I Knew (Jia Zhangke)
5. Nostalgia for the Light (Patricio Guzman)

Unseen Film:

1. Insidious (James Wan)
2. Aftershock (Feng Xiaogang)

3. Norwegian Wood (Tran Anh Hung)

4. Outrage (Takashi Kitano)

5. The Princess of Montpensier (Bertrand Tavernier)

Had some trouble coming up with five movies I really wanted to see. I must be overlooking a bunch.

Animated Feature:

1. A Cat in Paris (Jean-Loup Felicioli & Alain Gagnol)
2. The Illusionist (Sylvain Chomet)
4. The Secret World of Arrietty (Hiromasa Yonebayashi)
3. Toy Story 3 (Lee Unkrich)

Short Film:

1. 607 (Liu Jiayin)
2. Day and Night (Teddy Newton)
3. Inhalation (Edmund Yeo)

Film Editing:

1. Carlos
2. Film Socialisme
3. Mysteries of Lisbon
4. Oki's Movie
5. Shutter Island

Cinematography:

1. Andrew Lau & Ng Man-ching, Legend of the Fist
2. Luca Bigazzi, Certified Copy
3. Christopher Blauvelt, Meek's Cutoff
4. Jeff Cronenweth, The Social Network
5. Roger Deakins, True Grit

Art Direction:

1. Detective Dee and the Mystery of the Phantom Flame
2. Let the Bullets Fly
3. Mysteries of Lisbon

3. The Secret World of Arrietty
5. Uncle Boonmee Who Can Recall His Past Lives

Costume Design:

1. Carlos
2. Detective Dee and the Mystery of the Phantom Flame
3. Mysteries of Lisbon
4. The Sleeping Beauty
5. The Social Network

Make-up:

1. 127 Hours
2. Black Swan
3. Detective Dee and the Mystery of the Phantom Flame
4. Meek's Cutoff
5. Shutter Island

Sound Mixing:

1. Black Swan
2. Film Socialisme
3. Meek's Cutoff
4. Scott Pilgrim vs. the World
5. Shutter Island

Sound Editing:

1. Let the Bullets Fly
2. Scott Pilgrim vs. the World
3. Shutter Island
4. True Grit
5. Unstoppable

Visual Effects:

1. 127 Hours
2. Gallants
3. Inception
4. Resident Evil: Afterlife
5. Scott Pilgrim vs. the World

Give me an Army of Millas over Christopher Nolan any day.

Original Score:

1. 127 Hours
2. The Illusionist
3. Never Let Me Go
4. The Social Network
5. True Grit

Adapted Score:

1. Black Swan
2. Carlos
3. Greenberg
5. Scott Pilgrim vs. the World
3. Shutter Island

Olivier Assayas will win Adapted Score again in 2012 for Something in the Air. The man has good taste in music.

Song of the Day: But Not For Me

Judy Garland singing for all those who haven't yet won an Endy Award, from Girl Crazy:

2012 Endy Awards, Revised

A year ago, I gave out a bunch of awards for the best films of 2012. Of course, due to the vagaries of film distribution, many great films from that year were only released (or became available to me) within the past year. So here is an up-to-date accounting of my 2012 Endy Awards.

Best Picture:

1. Like Someone in Love

2. The Master

3. Moonrise Kingdom

4. Night Across the Street
5. Romancing in Thin Air

Anderson's dollhouse, DIY, 90 degree angle aesthetic is the ideal match for a children's fantasy of adventure and escape. The need for the kids to create their own universe contrasts eloquently with the sad rigidity of the adults. Some of the other nominees are more mysterious, but no movie this year is more perfect.

Best Director:

1. Johnnie To, Romancing in Thin Air

2. Abbas Kiarostami, Like Someone in Love

3. Paul Thomas Anderson, The Master

4. Wes Anderson, Moonrise Kingdom

5. Raul Ruiz, Night Across the Street

Best Actor:

1. Sun Honglei, Drug War

2. Denis Levant, Holy Motors

3. Tadashi Okuno, Like Someone in Love

4. Daniel Day-Lewis, Lincoln

5. Joaquin Phoenix, The Master

In the end, Levant's versitility and centrality to the film edge out Phoenix's remarkably physical, extreme-method performance, and Day-Lewis's uncanny ability to breathe life into an impersonation, either of which would be more than worthy winners in any other year.

Best Actress:

1. Greta Gerwig, Frances Ha

2. Isabelle Huppert, In Another Country

3. Anna Kendrick, Pitch Perfect
4. Sammi Cheng, Romancing in Thin Air

5. Jessica Chastain, Zero Dark Thirty

Supporting Actor:

1. Samuel L. Jackson, Django Unchained

2. Louis Koo, Drug War

3. Yu Jun-sang, In Another Country

4. Philip Seymour Hoffman, The Master

5. James Franco, Spring Breakers

Supporting Actress:

1. Amy Adams, The Master

2. Samantha Barks, Les Misérables

3. Amy Acker, Much Ado About Nothing

4. Rebel Wilson, Pitch Perfect
5. Lola Créton, Something in the Air

Original Screenplay:

1. Abbas Kiarostami, Like Someone in Love

2. Paul Thomas Anderson, The Master

3. Wes Anderson & Roman Coppola, Moonrise Kingdom

4. Wai, Ka-Fai, Yau Nai-Hoi, & Jevons Au Man-Kit, Romancing in Thin Air

5. Mark Boal, Zero Dark Thirty

The seemingly innocuous structure of Kiarostami's film, a series of apparently mundane conversations with wildly spinning depths that over time accumulate such weight, such possibility, that builds to a crescendo with the year's most shattering momentum, wins out over Boal's screenplay that is more than just the effective distillation of a decade of history, but a radical (for Hollywood at least) rethinking of character and a fascinating, open-ended exploration of what counts as evidence and certainty in the post-Iraq War world.

Adapted Screenplay:

1. Li Luo, Emperor Visits the Hell

2. Tony Kushner, Lincoln

3. Joss Whedon, Much Ado About Nothing

4. Raul Ruiz, Night Across the Street

5. Alain Resnais & Laurent Herbiet, You Ain't Seen Nothin' Yet

In a year with unusually great films about argument and reason, Lincoln, Zero Dark Thirty, The Master, it's Kushner's screenplay that is the best. He had me as soon as the President explained the complexities of the Emancipation Proclamation's post-Civil War legal status in three minutes or less. The later rhetorical flourishes are wonderful (Stevens's ripostes to his interlocutors, Lincoln's powerful clothing) but the trust and clarity and efficiency of Kushner's exposition is truly remarkable.

Foreign Language Film:

1. Drug War

2. Like Someone in Love

3. Night Across the Street

4. Romancing in Thin Air

5. Wolf Children

Documentary Feature:

1. The Act of Killing

2. Leviathan

3. People's Park

4. Room 237

5. Three Sisters

Tremendously great year for both categories. It pains me how many great foreign language films don't quite make the cut.

Unseen Film:

1. Beyond the Hills (Cristian Mungiu)
2. Gangs of Wasseypur (Anurag Kashyap)
3. Life of Pi (Ang Lee)
4. Passion (Brian DePalma)
5. No (Pablo Larrain)

Animated Feature:

1. Brave

2. It's Such a Beautiful Day (Don Hertzfeldt)

3. Wolf Children

4. Wreck-It Ralph

Animated Short:

1. The Longest Daycare

2. Paperman

Live Action Short:

1. Lovers are Artists, Part 2 (Lu Fang)

2. My Way (Ann Hui)

3. Walker (Tsai Ming-Liang)

4. You Are More than Beautiful (Kim Tae-young)

Film Editing:

1. Drug War

2. The Master

3. Moonrise Kingdom

4. To the Wonder

5. Zero Dark Thirty

Cinematography:

1. Lucien Castaing-Taylor & Verena Paravel, Leviathan

2. Mihai Malaimare Jr., The Master

3. Robert D. Yeoman , Moonrise Kingdom

4. Inti Briones, Night Across the Street

5. Emmanuel Lubezki, To the Wonder

Using 70mm to film interiors and close-ups rather than, as was traditional, expansive vistas and landscapes was a stroke of genius, but The Master's images and the old school inventiveness of Night Across the Street's sepia tones and rear projections and Moonrise Kingdom's crystal-clear storybook aesthetic all come up short versus the "throw the camera on a fishing boat and see what weird horrors and beauties surround us" aesthetic of Leviathan.

Art Direction:

1. Blancanieves

2. Moonrise Kingdom

3. Night Across the Street

4. Resident Evil: Retribution
5. Tai Chi Zero

Costume Design:

1. Django Unchained

2. Holy Motors

3. Moonrise Kingdom

4. Night Across the Street

5. Something in the Air

Make-up:

1. Django Unchained

2. Holy Motors

3. Lincoln

4. Prometheus

5. Universal Soldier: Day of Reckoning

Sound Mixing:

1. Leviathan

2. The Master

3. Moonrise Kingdom

4. Neighboring Sounds

5. People's Park

Rarely is sound design more important to a modern movie than in Neighboring Sounds. Kleber Mendonça Filho's Recife is connected not by spatial geography, but by the way sounds bleed together in an urban environment, trumping class and racial barriers. But I've got to go with the revolutionary work in Leviathan. We're in the midst of a golden age of sound experiment documentaries, and the Harvard Sensory Ethnography Lab is leading the way.

Sound Editing:

1. The Avengers

2. Django Unchained

3. Drug War

4. Skyfall

5. Zero Dark Thirty

Visual Effects:

1. The Avengers

2. Flight

3. Night Across the Street

4. Prometheus
5. Tai Chi Zero

Original Score:

1. The Master

2. Mekong Hotel

3. Moonrise Kingdom

4. Zero Dark Thirty

5. Wolf Children

I really want to give this to Moonrise Kingdom, for Alexandre Desplat's suite that complements and builds upon the Hank Williams and Benjamin Britten music on the soundtrack. Or Masakatsu Takagi's melancholically triumphant theme from Wolf Children that makes me tear up just thinking about it. But Chai Datana's guitar score for Mekong Hotel, a meandering bluesy acoustic guitar melody that wanders and noodles and swirls back on itself, is fundamental to that film's evocation of life by a river, where past and present, myth and reality fuse.

Adapted Score:

1. Holy Motors

2. Moonrise Kingdom

3. Pitch Perfect
4. Something in the Air

5. Tabu